“And perhaps some nights, they shine brighter than the city lights. “I began to toy with the notion that maybe all of the L.A. He said that on a stroll from his hotel to a restaurant, it struck him that “everyone looked like ‘somebody.’ They all looked famous. musician Dan Wilson to co-write “When the Stars Come Out,” a song about the Southland’s status as a celebrity magnet. On one of Stapleton’s previous treks west, he connected with L.A. “The biggest, baddest country voice you’ve ever heard,” Rolling Stone Country recently wrote of Stapleton, quickly adding, “No, really.” In addition to writing or co-writing 12 of the album’s 14 songs, he also co-produced it with Dave Cobb, who has worked with Shooter Jennings (Waylon’s son), Jamey Johnson and the Secret Sisters, among other outside-the-mainstream roots music artists.
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Both are singers and songwriters who demonstrate that they understand and respect country music tradition but have their own ideas about how to keep it relevant in a new century. Yet for all the mainstream success that several of his songs have enjoyed, on his album he sounds more in step with the left-field likes of Kacey Musgraves, who just won the Grammy Award for country album of the year for her offbeat debut, “Same Trailer, Different Park,” and recent best new artist nominee Brandy Clark. He co-wrote one of Bryan’s biggest hits, “Drink a Beer,” a song that pays homage to a departed friend, and you’ll also find his name on the writing credits for Kenny Chesney’s “Never Wanted Nothing More,” Darius Rucker’s “Come Back Song” and George Strait’s “Love’s Gonna Make It Alright.” One of his songs written for the SteelDrivers, “If It Hadn’t Been for Love,” was also covered by Adele on a deluxe version of her blockbuster album “21.” In fact, Stapleton is equal parts Nashville outsider and insider. “When you are affected by someone like Chris Stapleton,” Mabe added, “you don’t sign him and market him to be like what the marketplace currently offers, you bet that he has the power to change the marketplace.” He doesn’t fit into any mold, formula or algorithm for a hit-single-driven format. “Chris Stapleton is an artist that defies category,” says Cindy Mabe, president of Universal Music Group Nashville, parent of the Mercury Nashville label that’s releasing “Traveller.” “His songwriting and his raw, bluesy voice are seamlessly intertwined and inseparable. ‘Cause there’s nothing like your love to get me high But when you poured out your heart I didn’t waste it
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